Where there’s life, there’s hope

Where there’s life, there’s hope.

2017
Where there’s life, there’s hope.
Etching on porcelain paper clay
19 x 19 cm
2017

Yang depicted a typical mountain landscape by
intaglio. The drawings stay longer on porcelain than
on paper. The production process is definitely a
self-dialoguing to her. These repeated images are
the representation of how she thinks about her
future, which may be difficult to be amended.

那怕沒柴燒

銅版畫、瓷泥

19 x 19 厘米

楊氏利用版畫重覆呈現窗外的山勢，透過製作過程與自身對話。這不斷循環的畫面隱含著楊氏對於前境的看法。相對留在紙上，瓷上的圖像更為恆久，亦更難以改寫或消滅。

(Shown in Exhibition "Into the park".)

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