蟲蟲
Pillow
July 2018
Mixed Media Installation
人類對於物件的依戀似乎是與生俱來，小孩所擁有的「慰藉物」，作為母親的替代品，更是情感的實體。攬枕的形狀會隨使用者的長久接觸而改變，猶如為使用者的身體倒模。
藝術家抽取花布上為人熟悉的線條，鑲嵌於作品上。不過釉藥於高溫燒制時，卻為線條帶來了不能控制的流動性。縱使如此，在隱若之間，深刻在陶瓷上的紋理仍能呈現。
伏在攬枕上聽到的故事，與花布裙的圖案像是有著千絲萬縷的關係，但也可能只是一個偶然。
The emotional attachment of human being towards an object is a kind of inborn nature. Most of the children would love to adhere to a comfort object as a maternal substitute. It is also a physical representation of intimacy. A pillow would deform according to the posture of its user and this process resembles moulding.
The artist extracted the pattern from famous Indonesian Batik fabric and inlaid the lines on the ceramic works. The fluidity of melting glaze enables uncertainty towards those patterns yet they would still be seen.
Rest on the pillow to hear a story seemingly echoing the batik dress. No one knows if it is just a coincidence.